Child

Client Work (3 Family Shoots 1 Day part 2) – Harry & George Hughes

Part 2 of this blog series is shoot number 2 of 3 than took place on that busy day.

This shoot was with Harry & George Hughes; they arrived with Grandma as mum and Dad were working.

I kept on the white seamless for this shoot.  Reason is its cleaner.. Allot cleaner.  If you shoot on grey or black paper backgrounds with no boards / plexi it does not look as neat as a white seamless set does.

A great shot of them both together.  Brothers and at this point friends.

We then moved on to some images of just Harry.

As you will see through this set of photographs of Harry the expressions became more fun and silly.  This was in a bid to get little brother George back in to the shoot.

Yeah Harry found a hat.  Kids love these hats.. but sometimes I wish I would remember to hide them for longer.  But it was the hat that got George back in to the shoot.. he loves that hat.

Little George checking out Harry’s Spiderman impression.

Harry was enjoying moving around at this point which can always make for some interesting images.

This was Harry talking about his super heroes with George listing in.

I managed to get Grandmar Judith in front of the camera for one shot.  That toy truck belongs to one of my god sons did not think I was going to get it back off George.

The next set of images are of George not wanting Harry near his cushion… not even close.

Get off its mine!

Next I got Harry talking about his favourite super heroes again.. do this and he’s away and can talk for ages.. you may also make him get up find another hat and start kicking the you know what out of imaginary bad guys.  Come on we have all done that before.

Just enough time at the end to have a face pulling.. face off.

Thank you Harry, George, Judith and Mum & Dad for another fun shoot.  And again thank to Ian’s Studio for the studio space.

For the photographers:  Keep it simple, simple light and simple set.. make it about the kids and about the family.  Oh watch out for hats :)

Shot with a Canon 5D2 and either a 50mm or 85mm prime lens.  I need to (infact just have) add a zoom lens to the kit for studio work, primes can be a bit limiting if you need to shift position quickly.

ISO 250
1/125th sec
F11 – giving some wiggle room with Depth of Field.

All images lit with 2 lights on the background and one 60” umbrella as the main light, reason is simplicity, it’s a huge modifier giving a soft light with good coverage for multiple people on a set.  I used it in reflective configuration as you can get more light from it that way, shoot through takes more power.

Thank you for reading.
Rick

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Client Work (3 Family Shoots 1 Day part 1) - Pippa, Dave & Sky

Back in Feb this year I had 3 family shoots in studio in one day.  This is the first of those shoots with Pippa, Dave & Sky who is one of the cutest little girls you will ever meet.

When working in a studio with lights, stands & backgrounds it can be a bit daunting for the children involved so I usually start slow and simple and make a point of arriving in studio 1-2 hours before start to prep the space and make it as safe as possible.  I also use this time to get my head in the mode of shooting.

Have to say Pippa, Dave & especially Sky were great and we all had allot of fun on the day.

We stuck to the white seamless set up for most of the shoot because it works, its simple and it’s clean.  3 Lights, white paper background and a few pieces of white board are all that’s needed.  Ok on to some images from the shoot.

I love this image above of Sky and her Dad, she is trying to figure out the white boards and the set.  Always have your exposure roughed in ready for when the client steps on set, that way you can catch moments like this and have good or very close exposure.

Whole family on set now and Sky looks at her shoes… Cracks me up.  The reflection is made possible by using the white board, I wont shoot full length white seamless with out it.. so much so I bought it for the local studio I use.

As the shoot progresses everyone (including myself becomes more comfortable) and we start to get some great images and moments.  Moments.. that’s the most important thing… not the gear.

The next few frames were not shot on the white seamless set, make sure you have some breaks now and again to change it up and keep it interesting for the child but be aware of your ambient light (windows light in this case) so you can dial in exposure and capture some candid shots.

Back on the seamless set for a few shots of Sky and her Toys.

Sky the budding photographer, taking after her Mum Pippa.

Girls got to look her best whilst photographing.

Yeah this is what happens when you knock you mode dial to bulb mode, Sky looks as impressed as I was.

Sometimes your subjects/client just fall in to something and it works.

Sometime I hand the camera to the child (with my help.. 5D2, grip and lens is heavy) and let them shoot some frames.  The next 3 images are courtesy of Sky,

Then Sky found the hats.  Let me explain.. the owner of the studio I use is a stage / theatre actor and has a few props and hats around which means it’s not uncommon for the kids to find them.

At first the hat was a drum, makes sense I can see that.

Then is was time to try it on.. this is where it went a bit wrong….

This always gets me laughing when I see it. 

Thank you Pippa, Dave & Sky for making it a fun and easy shoot.  Also thank you to Ians Studio for providing the studio space.

Thank you for reading.
Rick

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